1 - VIOLENCE WILL NOT SHUT THE PEOPLE
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The photogram printed on the back of a Yellow Vest with a dazed woman on the Odessa staircase in Eisenstein's film "Battleship Potemkin" inspired this first interval on the repression of the Yellow Vest movement . After a long walk in the streets of Paris, the Odessa staircase is in this sequence the Human Rights Square prohibited to demonstrators.
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2 - CINEMA-OEIL (KINO-EYE / КИНО-ГЛАЗ)
Returning the eye dazed by the LBD to that of the staged camera, this second interval alludes to Dziga Vertov's theories on editing and movement between images. Despite a request for a ban, many people lost an eye or were disfigured from LBD 40 fire. Still others lost their hearing or were mutilated by GLI F4 grenades. This sequence pays homage to them.
3 - THE OTHER PART OF THE WORLD
The third interval decides to take up the same protesters in their daily life, that of the ““ urban symphony. ”The text gains momentum between the shots such as the cine-tracts of May 68. For these “ new proletarians ”the port of 'a yellow vest is a compulsory working tool, they fight for their future and that of their children.
